![]() Building upon a foundation of Tech and Deathcore elements delicate touches heighten the enjoyment of a release which bears undeniable similarities to Black Dahlia Murder, Carrion Vael and other acts plucked from the twin-pronged vocal assault extreme audio collective. It isn’t and this band proves there’s plentiful life left in the genre.Ĭlassical and intricate melodies add another layer to this listening experience. In short, this is a fantastic discovery sure to incite smiles, smirks and widening eyes upon a great many fans visage who might be of the mind that most everything released nowadays is plagiarized crap. Surprising however is the fact that this flows so damn well, riffs are infectious, rhythms are of the kind which stick and the stylistic amorphic nature (Venom, Venom – sorry can you tell I’ve recently seen this film?) never wonders into wizardry realms one might need a musical theory degree in order to unravel. ![]() Technical Thrash cavorts with Progressive passages and Dissonant landscapes are dotted with interludes to heighten the albums narrative (a themed, concept album of sorts, I’d put a few pennies on it). Varied arrangements (which are both traditional of the DM arena and infinitely more complex) hint at a plethora of influence displayed in such a way that each track bears its own identity. The track lengths hint at an epicness, and it’s here, as well a competantness (which probably isn’t a word?) to keep the listeners attention (way past the initial “well the art is pretty”). But no complaints here, I like it, it has my attention enough that my ears are eagerly anticipating the audio within.Īnd… I’m pleasantly surprised. Genre – Progressive/Melodic/Technical Death MetalĪnd, yet another album cover that’s part dystopian, part fantasy and part ‘this probably appears as a scene in a book’ someplace. There’s a great deal to unwrap here, content which several spins will help to unravel. Doom layered with ritualistic qualities, blackened sensibilities, a foggy dissonant aura, a touch of “pull-you-under-to-steal-your-last-breath” Sludge and a Lovecraftian theme. Blast beats and blackened vocals join the fray, an already dense outing with tendrils stretching into various realms, now made all the more malevolent. The album changes textures again, then introduces other elements to shatter most preconceptions. This soon fades however, abruptly, as the second track drops considerably more aggression than its predecessor. One might predict an album drenched in melancholy, melody and an overall aura somewhat as if Paradise Lost and Mourning Beloveth had decided to combine their stylistic efforts. It’s difficult knowing what to assume based on this album’s artwork. There's Bits Everywhere – Anthology ReviewsĬrawl Below (USA) – Its Ministers on Earth.The Hideous, The Diabolical, The Obscene and the Serene.Slipping Through the Cracks- Releases from 19'.Abrasive Audio – Taking the Reins (special edition 2020). ![]() The Fantastical Fiction Corner- A Chat With the Gelatinous Cubeĭoomed & Stoned… on Attack of the Compilation – Do…ĪBRASIVE AUDIO Revie… on Abrasive Audio 2020 – Part….Introducing 23′ With a Thunderous Roar (part three).Dollar Store movie Marathon – The First of 23′. ![]()
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